Exams Net
Unrestricted Exams Practice
Home
Exams
Banking
CUET
Defence
Engineering
Finance
GATE
Insurance
International
JEE
LAW
MBA
MCA
Medical
Other
Police
PSC
RRB
SSC
State Govt
Subjectwise
Teacher
SET Exams
UPSC
Aptitude
Algebra and Higher Mathematics
Arithmetic
Commercial Mathematics
Data Based Mathematics
Geometry and Mensuration
Number System and Numeracy
Problem Solving
Board Exams
Andhra
Bihar
CBSE
Gujarat
Haryana
ICSE
Jammu and Kashmir
Karnataka
Kerala
Madhya Pradesh
Maharashtra
Odisha
Tamil Nadu
Telangana
Uttar Pradesh
English
Competitive English
CBSE
CBSE Class 10 Solutions
CBSE Class 12 Solutions
CBSE Question Papers (Pdf)
NCERT Books (Pdf)
NCERT Exemplar Books (Pdf)
NCERT Study Notes (Pdf)
CBSE Study Concepts (Pdf)
NCERT Text Book Class 11 Solutions
NCERT Text Book Class 12 Solutions
ICSE Class 10 Papers
Certifications
Technical
Cloud Tech Certifications
Security Tech Certifications
Management
IT Infrastructure
More
About
Contact Us
Our Apps
Privacy
+
-
Test Index
LSAT India Practice Test 2 Section 2 with answers for free online practice
Show Para
Hide Para
Share question:
© examsnet.com
Question : 25 of 29
Marks:
+1
,
-0
During the nineteenth century, the French academy of art was a major financial sponsor of painting and sculpture in France; sponsorship by private individuals had decreased dramatically by this time. Because the academy discouraged innovation in the arts, there was little innovation in nineteenth century French sculpture. Yet nineteenth century French painting showed a remarkable degree of innovation.
Which one of the following, if true, most helps to explain the difference between the amount of innovation in French painting and the amount of innovation in French sculpture during the nineteenth century?
In France in the nineteenth century, the French academy gave more of its financial support to painting than it did to sculpture.
The French academy in the nineteenth century financially supported a greater number of sculptors than painters, but individual painters received more support, on average, than individual sculptors.
Because stone was so much more expensive than paint and canvas, far more unsponsored paintings were produced than were unsponsored sculptures in France during the nineteenth century.
Very few of the artists in France in the nineteenth century who produced sculptures also produced paintings.
Although the academy was the primary sponsor of sculpture and painting, the total amount of financial support that French sculptors and painters received from sponsors declined during the nineteenth century.
Validate
Go to Question:
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
Prev Question
Next Question
More Free Exams
AILET Previous Papers
BA LLB Banaras University
CLAT Previous Papers
LSAT India Practice Tests